Perpetual Uncertainty

uranium 235

Still from “Trace Evidence”, dir. Schuppli, 53 mins (colour, 4-channel sound)

Contemporary Art in the Nuclear Anthropocene

October 2 2016 – April 16 2017

Perpetual Uncertainty brings together artists from Europe, Japan, the USA and Australia to investigate experiences of nuclear technology, radiation and the complex relationship between knowledge and the deep time.

The artworks explore how nuclear weapons and nuclear power has influenced our interpretation of concepts such as archives, memory, knowledge and time. How can we understand and visualise the ungraspable timeframe of radioactive half-life? How can we archive and communicate knowledge about radioactivity from generation to generation, hundreds of thousands of years into the future?

Participating artists: James Acord, Shuji Akagi, Lise Autogena & Joshua Portway, Erich Berger and Mari Keto, Nick Crowe and Ian Rawlinson, Don’t Follow the Wind, Finger Pointing Worker, Dave Griffiths, Isao Hashimoto, Erika Kobayashi, David Mabb, C├ęcile Massart, Eva and Franco Mattes, Yelena Popova, Susan Schuppli, Shimpei Takeda, Kota Takeuchi, Thomson & Craighead, Suzanne Treister, Andy Weir, Robert Williams and Bryan McGovern Wilson, and Ken + Julia Yonetani

The exhibition includes a programme of films, open discussions and talks by researchers and experts. Perpetual Uncertainty is produced by Bildmuseet and curated by Ele Carpenter, Goldsmiths University of London. The exhibition is accompanied by The Nuclear Culture Source Book, a collaboration between Bildmuseet, Arts Catalyst and Black Dog Publishing.

Production of two new works: Trace Evidence (video trilogy) and Delay-Decay (installation)

Exhibition website