Nightwalker installation, Open Space, Victoria, Canada
Danger Signs, SF San Francisco & Western In, Vancouver
Rebecca Solnit. “Picturing the City: Meditations on Public Space.” Camerawork A Journal of Photographic Arts, Guest Editor Anthony Aziz, San Francisco, (Spring—Summer 1995), pp. 4—10.
My art practice began with a sustained engagement into the relationship between the constitution of female subjectivity and the lived experiences of the urban, one that turned primarily on the ways in which the city functioned as an emancipatory space for women. Later projects shifted this inquiry to include the much more violent landscapes of the home.