EVIDENCE ON TRIAL
A 16-channel video installation exploring materials—videos, photographs, maps, models—entered into evidence during the legal proceedings of the International Criminal Tribunal of the Former Yugoslavia 1993-2017.
Scenographies of Power, La Casa Encendida, Madrid, Spain (2017)
Forensic Architecture: Towards an Investigative Aesthetics, MACBA, Barcelona (2017)
Evidence on Trial, See you in The Hague, Stroom Den Haag, NL (2014)
Forensis, Haus Der Kulturen der Welt, Berlin, (March 2014)
“Should Videos of Trees have Standing? An Inquiry into the Legal Rites of Unnatural Objects at the ICTY.” A Cultural History of Law in the Modern Age. Eds. Celermajer, Danielle and Richard Sherwin. London: Bloomsbury, 2018.
“Law and Disorder.” Realism Materialism Art. Ed. Christoph Cox, Jenny Jaskey, Suhail Malik. Berlin: Sternberg Press, (2015); 137-43.
“Entering Evidence”, “Uneasy Listening”. Forensis: The Architecture of Public Truth. Ed. Forensic Architecture, Berlin: Sternberg Press, (2014): 279-314.
EXHIBITIONS
Scenographies of Power, La Casa Encendida, Madrid, Spain (2017)
Forensic Architecture: Towards an Investigative Aesthetics, MACBA, Barcelona (2017)
Evidence on Trial, See you in The Hague, Stroom Den Haag, NL (2014)
Forensis, Haus Der Kulturen der Welt, Berlin, (March 2014)
WRITING
“Should Videos of Trees have Standing? An Inquiry into the Legal Rites of Unnatural Objects at the ICTY.” A Cultural History of Law in the Modern Age. Eds. Celermajer, Danielle and Richard Sherwin. London: Bloomsbury, 2018.
“Law and Disorder.” Realism Materialism Art. Ed. Christoph Cox, Jenny Jaskey, Suhail Malik. Berlin: Sternberg Press, (2015); 137-43.
“Entering Evidence”, “Uneasy Listening”. Forensis: The Architecture of Public Truth. Ed. Forensic Architecture, Berlin: Sternberg Press, (2014): 279-314.
Description: HD video, colour with sound, 2014, 120 mins.
WORKS