Is a lecture performance exploring the sonic histories and affective registers of aerial warefare and surveillance upon civilian populations on the ground. The lived experiences and impacts of exposure to the frequencies of airborne munitions and technolgies are complex, and with the case of the drone wars, could even signal one’s imminent death. Other examples, such as a the use of sonic booms over Gaza have been used to terrorise populations and amplify collective anxiety and fear.
HD video, colour with stereo sound, 2022, 11:40 mins.
Hear/Fear/Ear Performance Lecture, UNSW Galleries, Sydney (2 August 2022)
F/EAR: Living Under Drones, Lecture performance with Tom Tlalim, From Above & Below, a multi-media event curated by Helene Kazan, Mosaic Rooms (2015)
F/EAR: Living Under Drones, Collaboration with Tom Tlalim, Wind Tunnel Project Artliner (July 2014)
“Uneasy Listening”, Forensis: The Architecture of Public Truth. Ed. Forensic Architecture, Berlin: Sternberg Press, (2014): 381-392.
See also: The Sonic booms in the sky over Gaza
HD video, colour with stereo sound, 2022, 11:40 mins.
PERFORMANCES
Hear/Fear/Ear Performance Lecture, UNSW Galleries, Sydney (2 August 2022)
F/EAR: Living Under Drones, Lecture performance with Tom Tlalim, From Above & Below, a multi-media event curated by Helene Kazan, Mosaic Rooms (2015)
F/EAR: Living Under Drones, Collaboration with Tom Tlalim, Wind Tunnel Project Artliner (July 2014)
WRITING
“Uneasy Listening”, Forensis: The Architecture of Public Truth. Ed. Forensic Architecture, Berlin: Sternberg Press, (2014): 381-392.
See also: The Sonic booms in the sky over Gaza
