Consists of a vitrine of vintage machines (1970-2000), including a live machine playing an audio track comprised of machine-related messages and five single cup wall-mounted headphones playing twenty-five hours of edited conversations and messages.
Listen to a mix produced for Ears Have Ears, Australia.
Explore dedicated website︎︎︎
Eavesdropping, City Gallery of Wellington / Te Whare Toi, New Zealand, Australia (2019)
Eavesdropping, Ian Potter Museum of Art + Liquid Architecture, Melbourne, Australia (2018)
Eavesdropping Reader with an essay by Susan Schuppli discussing “Listening to Answering Machines”
Frieze Critics’ Guide to Melbourne Art Week
A Short History of Eavesdropping
by Brian Hochman & Susan Schuppli, The Drawing Room, ABC Radio
Ears Have Ears / FBi Radio
Art + Australia Review
Listen to a mix produced for Ears Have Ears, Australia.
Explore dedicated website︎︎︎
EXHIBITIONS
Eavesdropping, City Gallery of Wellington / Te Whare Toi, New Zealand, Australia (2019)
Eavesdropping, Ian Potter Museum of Art + Liquid Architecture, Melbourne, Australia (2018)
RELATED MATERIALS
Eavesdropping Reader with an essay by Susan Schuppli discussing “Listening to Answering Machines”
Frieze Critics’ Guide to Melbourne Art Week
A Short History of Eavesdropping
by Brian Hochman & Susan Schuppli, The Drawing Room, ABC Radio
Ears Have Ears / FBi Radio
Art + Australia Review
WORKS